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 Friday, August 24, 2007
Friday's Feast
Posted by Rachel
Here's your weekly round-up of what's going on. Press Innovations
Bellevue hospital has had the Bellevue Literary Review for a while, and now they’re branching into book publishing. Bellevue Literary Press released several books this spring, including a novel, with more on the way. Bellevue Hospital is the only hospital publishing fiction. Erika Goldman is the editorial director.
Bantam is launching a new imprint,
Bantam Discovery, to publish some books in mass market and trade
paperback format to try and maximize the number of venues for each book
and get the books to a wider audience. Their first book will debut in
February and they will publish general fiction.
Tor is joining the information super-age with daily podcasts of interviews and event coverage from the World Science Fiction Convention in Japan August
30th - September 4th, 2007. The series of podcasts will be the launch
for Tor’s new feature, which will start having regular podcasts on
Sept. 14th. This is part of Tor’s strategy to become the place to go for science fiction on the Web.
Market news
Wm. B. Eerdman’s Publishing Co. is at a new location: 2140 Oak Industrial Dr. NE
Grand Rapids, MI 49505 Eerdman’s does not accept electronic submissions. Full submission guidelines may be found at their Web site.
I got an email from Anne Hillerman about the Tony Hillerman Writers Conference: Focus on Mystery “This year at our 4th
annual Writer’s Conference, we’re offering something new--agent pitch
sessions. This is opportunity for attendees to talk to agents
interested in mysteries and is free with registration-but only a
limited number of slots are available.
The conference, Nov. 1-4 in Albuquerque, also features top mystery
authors, sessions on the craft of writing and a conversation with Tony
Hillerman.”
Peeks and Valleys: A Fiction
Journal has new owners/editors. Mary Anne DeYoung is the new editor and
they now pay $10 per story (up from $5). They still do reprints and
want character-driven stories of less than 2600 words.
Revolving Door
Larry
Roberts of Bloodletting Press has announced that he has added a new
associate editor, James A. Moore. Moore is the author of Blood Red, Bloodstained OZ with Christopher Golden, and the Serentity Falls series.
Shannon White has taken Judy Zylstra’s place as the main at Eerdman’s Books for Young Readers. That's it for today. Enjoy your weekend!
Market Info | Revolving Door
8/24/2007 8:19:23 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 23, 2007
The Mysteries of Cover Art Unveiled
Posted by Rachel
I know we’ve all had a time when we looked at the cover for the latest novel in our favorite series and realized that the main character depicted on the cover doesn’t look like the character described in the book. How do these things happen? And who decides on the cover anyway?
Sometimes the development of cover art is a glorious thing that fills the author with glee, other times it's a tragedy over which they have no control. Science fiction author Tobias Buckell is so excited about his newest cover that he recently posted the progression of cover images for his book, The Sly Mongoose. In his case, Buckell sent his editor a scene that he thought would make good cover art. His editor forwarded the scene to the artist, and the series of sketches were made. Voila, we have a cover.
The process of designing a cover varies from publisher to publisher and across genres, but here’s a breakdown of how covers are developed.
First the art director or executive editor chooses an illustrator or designer. Some publishers work entirely in-house, while others have a list of freelance illustrators or use a combination of in-house and freelance work. The author, editor, sales and marketing compiles a small packet of information detailing what the book is about (including a writing excerpt), the tone of the book and the basic feel they want for the cover and gives it to the illustrator/designer.
The designer goes away and comes up with a couple different options. The editorial team looks at the covers and decides which one they like best and make suggestions for improvement. The designer goes back and revises the chosen cover. Once the editorial team approves the cover, it is presented to a larger committee that includes sales and marketing personnel, who then give the final approval for the cover, or send the designer back once again for revisions.
Sometimes this process is very quick and the first design is perfect and few revisions are necessary, while other times the designer goes through 5-6 major revisions before finding a concept that works, and then the designer gets to fiddle with details for weeks.
The author usually gets to see the cover either just before or after the final approval. This is where the agony comes in. Sometimes the cover looks nothing like you expected. At this point, unless the cover is ridiculously off (there's a huge dog on the cover and no dog in the entire book), there's not much to be done and you just have to trust your publisher. Fortunetly, the Buckell experience of glee is much more common.
That's your basic “how covers are made.” One exception to this outline is when the illustrator/designer reads the whole book and works with the author to develop the cover before ever sending it on to editorial/sales/marketing. However, this generally happens when you work with the Stephen King or Margaret Atwood of cover art.
What are your experiences with the cover development process at your publisher? Does anyone have an experience where they hated the cover and then grew to love it? Inside Peek
8/23/2007 11:47:20 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 22, 2007
Contest/awards for short crime & historical fiction
Posted by Rachel
Fish Publishing is the place to go if you write short crime fiction, but especially if you write historical crime. They sponsor several contests over the summer, with the winners receiving cash and publication in an anthology. They have the Micro-Fiction Showcase (deadline Aug 31), Fish-Knife Award (deadline Sept 30), Short Histories III (deadline Sept 30), Criminally-Short Short Histories (deadline Sept 30), and the 14th Fish International Short Story Prize (deadline Nov 30). All of these contests are online submissions only, with story lengths and prizes of varying size. Market Info
8/22/2007 12:01:24 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, August 21, 2007
Oh, the glorious Book Club
Posted by Rachel
Book clubs. Love 'em or hate 'em, they're been around for decades and look to stay that way. F&W sponsors several book clubs as do other publishers of fiction and nonfiction. In fact, usually it's publishing companies that sponsor a book club. However, it appears that Life of Pi author Yann Martel has his own mini-book club. Martel sends the Canadian prime minister, Stephen Harper, a book every fortnight. The Guardian reports that Martel sends second-hand paperbacks in a variety of genres and makes sure to alternate classic greats like Tolstoy with books on Hindu scripture or Strindberg's Miss Julie. No response yet to the books and kind notes.
I can't help but wonder if anyone is reading the books that Martel is so kindly sending along, especially Harper. Martel even comments that "If I knew he liked thrillers, I would send more of those - perhaps a Chinese thriller."
Wouldn't it be great to have your own personal book club that wasn't limited by a particular publisher or genre? And even better, one you don't have to pay for? But the hard question for me is would I want someone to deliver books by authors I don't know, but would like to, or books by authors I already know and love?
For example, I am a huge fan of Patricia Briggs and Elizabeth Moon and would love to read everything they publish, but I have never actually read a Terry Pratchett or George R.R. Martin book (I know, I know, I'll get on that). I read Amy Tan's books because they are such amazing windows into cultures and places I'm not a part of, but I haven't read more than one of Margret Atwood's novels.
I have begun reading novels outside my normal habits since becoming editor of NSSWM, from literary tomes to romances to graphic novels, and I've even become addicted to several online comics (I now follow Brat-halla and Cat Legend). Reading a wider range of books has made me appreciate my old favorites all the more, and introduced me to a few new ones. I'm starting to figure out what I really like to read by what stays true across genres (biggest thing for me: I much prefer character-driven plots to concept-driven plots). So I think I would like to have someone send me works by authors I don't know.
Still, I have to wonder, what would you like to read if someone created a book club just for you?
8/21/2007 12:11:24 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 20, 2007
2008 NSSWM Preview-Rochelle Krich
Posted by Rachel
Here is another excerpt from the 2008 NSSWM. This time it’s Rochelle Krich, author of the Molly Blume and Jessie Drake mysteries, interviewed by yours truly.
You are an active member of Sisters in Crime and several other organizations. How has that helped you as a writer? Would you recommend new writers get involved in similar organizations?
I’ll answer the last part of your question first: Absolutely!
I’m the national Sisters in Crime president, but twenty years ago, when a parent of one of my students suggested that I attend a Sisters in Crime meeting, I’d never heard of the organization. I attended a meeting, became a member and found myself part of group that offered me advice, networking opportunities, and most importantly, long-lasting friendships. Through Sisters in Crime I learned how to set up book signings and do PR, and I joined a critique group that provided me with valuable feedback and taught me to relax my defenses and learn how to accept constructive criticism. I’m also a member of Mystery Writers of America (I served on the national board) and the American Crime Writers League. Writing is a solitary occupation. Belonging to these organizations, all of which have newsletters and on-line listservs where members can exchange ideas and concerns, makes me feel that I’m part of a close knit, supportive community.
Go to the book to read of the rest of the article where Krich discusses how to incorporate a specific culture into the story, the benefits and difficulties of writing series verses stand alone novels, and the relationship between theme and plot.
Oh, and I highly recommend Krich’s books if you like mysteries with low sex and gore quotas.
8/20/2007 11:39:58 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 17, 2007
Friday's Feast
Posted by Rachel
Here are a few venues and contests you may not know about.
1. Horror. Pseudopod is a horror podcast magazine. They post a new story every week, and the stories and readers are pretty good. Ben Phillips is the editor. They will take horror stories of 2000-6000 words, but they prefer 3000-5000 words. They also take flash fiction, with a preferred length of 500-1000 words. They pay $50 for the short stories and $20 for flash fiction. Oh, and they accept previously published material.
2. Fantasy. Launching this month, PodCastle is an audio ezine run by editors Rachel Swirsky & Ann Leckie. They’re asking for fantasy stories of 1000-6000 and will pay $20-100. The editors will have their performers read your story if it’s accepted. It’s a sister site to Pseudopod, so PodCastle is likely to turn out quality material. PodCastle prefers to work with previously published material.
3. Contest. Cream City Review sponsors the A. David Schwartz Fiction Prize. This year's judge is Michael Martone. The deadline for this year's contest is December 1. Prize is $1,000 plus publication. Entries should be less than 30 pages and there is a $15 entry fee.
4. Contest. Dzanc Books is sponsoring the “Inaugural Dzanc Prize – a monetary award to a writer with both a work in progress, and an interest in performing some form of literary community service.” Winner receives $5,000 and no requirement to submit their finished work to Dzanc. To submit, send your current cv, a ten page excerpt from your work in progress and your idea for literary community service. Deadline is November 1st. The winner will be announced in December.
Congrats to Elif Batuman, Sarah Braunstein, Robin Ekiss, Alma García, Jennifer Grotz and Holly Goddard Jones for being honored with the Rona Jaffe Foundation Writers’ Awards. They will each receive a $25,000 grant and be honored at a ceremony in New York City on September 27. These awards focus on women at the beginning of their careers and are the only national literary awards for women. Market Info
8/17/2007 11:23:29 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 16, 2007
Preview of 2008 NSSWM-Lisa See
Posted by Rachel
The latest edition of NSSWM comes out this month, as you know from the newsletter. I'm going to start posting excerpts to give you a taste of what's in this latest volume.
First up we have an interview with Lisa See by Janice Gable Bashman. See's latest novel, Peony in Love, is a ghost story set in 17th century China about three women who were married to the same man (personally, I wouldn't marry a man whose wives kept dying).Incorporating historical fact and myths into fiction seems like a duanting process. What methods do you use to make this process successful?
I think you have to get very straight in your mind what you want your story to be. I over-research, use it all, and then cut a tremendous amount of it. As a teenager, I used to read James Michner. He did all this research, but I came to it as a reader, the story would stop dead. I would skip paragraphs and sometimes pages. So I really watch out for that in my own work. For a short time, I need to be world's greatest expert on a subject. The art comes in cutting most of it out and letting the characters tell their story. What I hope happens is that the history and the research are holding the story like a good foundation, not like a big brick wall separating the reader from the charcaters, the emotions and the action.
Myths are a little different. Why are you using a myth? If it pertains to the story, then use it. If it doesn't and you just happen to like the myth, then it shouldn't be there. It has to have some meaning in the story you're trying to sell.
Get the 2008 Novel & Short Story Writer's Market to read the rest of the interview where See talks about the compelling nature of Peony in Love, her creative process and the role of See's Chinese heritage in her novels.
8/16/2007 2:54:52 PM (Eastern Daylight Time, UTC-04:00)
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New publisher & editor
Posted by Rachel
People are moving around again.
Simon Spotlight Entertainment has named Carl Raymond as their new associate publisher. Starting September 5, he will do some acquisitions but will mostly work on marketing and publicity.
Congrats to Julie Strauss-Gabel for her promotion to associate editorial director at Dutton Children's. She will continue to acquire and edit titles and will help with developing the list, positioning titles and long-term planning.
Revolving Door
8/16/2007 11:10:40 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, August 14, 2007
More on E-books
Posted by Rachel
I have a confession. I have never read an e-book. At least, not the way it's supposed to be read. I love having real pages to turn, and I just can't get my eyes to accept the idea of reading that much text on a screen, small or large. Others, however, are huge advocates.
In the August newsletter (sign up if you're not on the list), I comment on an article about e-book readers and ask what you think of using e-books. After I finished the newsletter and sent it to IT, I found an article in PW Daily that highlights DailyLit, a new company that sends you books in installment emails, and their addition of new titles and publishers.
Between ezines, e-books and email installment reading, I wonder if the structure of novels is going to change again. Could technology nudge writing towards the way we wrote when it was common practice to have stories published serially in newspapers and magazines, or will nothing change? Is anyone writing specifically for e-books or similar media? How is it different from writing for print publishers? I guess my zillion questions boil down to two: How do you feel about reading books digitally instead of in print format? Is there, and will there be, a difference in how we write electric versus print books? (Ok, so it's three questions since the second question is two-fold, but that's just if you want to get technical.) Update: We've heard from several people in favor of paperbacks, but I would like to hear from some people who like e-books and have actaully used a reader. Is there anyone?
8/14/2007 4:43:43 PM (Eastern Daylight Time, UTC-04:00)
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So whatd'ya drive?
Posted by Lauren
Walking down my street this morning on the way to my car, I saw a neighbor's little blue Toyota with the best bumper sticker I've seen in a while: My other car is a Pynchon novel.
This started my Tuesday off on the perfect foot, and I had to share it with you. Anybody else out there got any great literary bumper stickers? (And just what kind of car do you think a Pynchon novel would be?)
8/14/2007 11:04:04 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 13, 2007
Marvel Comics at the ballpark
Posted by Rachel
Here's a fun bit to start off Monday morning. Marvel Comics has teamed up with the Triple-A League to have free comic nights at all 30 minor league baseball parks. They've created a special comic, Triple-A Baseball Heroes, that will be given away at the ballparks for one night. The comic features Spider-Man, Iron-Man, the Fantastic Four, and the Incredible Hulk. This is a good chance for comic fans to get a special comic, and for those who've never read a comic to get an idea of what everyone is talking about. Unfortunately, some of the events have already happened. I went through the list ICv2 provided and gleaned the ones that haven't happened yet. Sadly, the ones in my area have already passed.
Albuquerque Isotopes - Tuesday, August 14, 2007 Charlotte Knights - Sunday, August 19, 2007 Durham Bulls - Thursday, August 16, 2007 Nashville Sounds - Friday, August 17, 2007 New Orleans Zephyrs - Saturday, August 18, 2007 Norfolk Tides - Wednesday, August 29, 2007 Oklahoma RedHawks - Friday, August 17, 2007 Omaha Royals - Monday, August 20, 2007 Ottawa Lynx - Tuesday, August 21, 2007 Pawtucket Red Sox - Friday, August 31, 2007 Portland Beavers - Sunday, September 02, 2007 Richmond Braves - Sunday, September 02, 2007 Round Rock Express - Monday, August 20, 2007 Salt Lake Bees - Monday, August 13, 2007 Scranton/Wilkes-Barre Yankees - Tuesday, August 14, 2007 Syracuse Chiefs - Saturday, August 25, 2007 Toledo Mud Hens - Wednesday, August 29, 2007
I wonder how many kids, and adults, will be reading instead of watching the game...
8/13/2007 10:00:43 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 10, 2007
Literal value of the written word
Posted by Rachel
Two different stories have come up recently on the value of written material. First is the discovery of the long-lost manuscript of Pearl S. Buck's novel "The Good Earth." The typeset, hand edited first draft was lost for 40 years. The ownership of this manuscript, Buck’s first draft, has been resolved between Buck’s heirs and the non-profit Pearl S. Buck International. The family will own the manuscript, but Buck International will display it. Side note: I love that they had to kick out the lawyers to get things resolved.
We think of Timbuktu as the end of the earth, a place to disappear, but government officials, scholars and local residents are working to revive the city by focusing on something very valuable: books. Family libraries in the region go back over 500 years, and the knowledge contained in those books is being made available to scholars. Even the writings in the margins give insight and knowledge not available elsewhere. A modern facility is being built to house these valuble books in the hopes of helping Timbuktu become an intellectual capital not just for Mali and South Africa, but for the world. The Buck manuscript is valuble because of what it is, while the family libraries in Timbuktu are valuable for what they contain. Let's say that someone finds your manuscript 100 years from now. Would you rather the find be valuable because it's YOUR original work, or because of what is found between the pages?
8/10/2007 10:52:17 AM (Eastern Daylight Time, UTC-04:00)
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