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 Friday, October 12, 2007
Friday's Feast
Posted by Rachel
Yeah for Friday! I don't have much to say since I put today's thoughts in the newsletter going out Monday (go here to subscribe to the NSSWM newsletter), so here's the info.
Contests
Lesbian Writers Fund. "This award is to support the work of emerging lesbian writers, and to acknowledge the contributions of established writers to our movement and culture." This is an annual award for novels or short story collections. First place awardees and two runners-up in the poetry and fiction categories will receive cash awards ($10,000 for awardee; $1,500 for runners-up). An independent team of two judges selects the winners unanimously (entries are judged blind). Entry fee is $5. Entry deadline is June 30, 2008. Novel excerpts or a collection of short stories are acceptable. Make sure to check their Web site for the eligibility requirements; there’s a lot of them.
Wassmode Short Fiction Prize. Sponsored by the journal Passages North, this has a first prize of $1000 with a $10 entry fee which includes receiving the contest issue. There’s a 7500 word max. Submissions are Oct 15-Jan 31st.
Just Desserts Short-Short Fiction Prize. Also sponsored by the journal Passages North, the only differences for this one are the word max drops to 1000 and the entry fee covers two stories instead of one.
Conferences
New conference: Faeriecon from the creators of Faerieworlds—a celebration of all things in the fantasy sub genre. It will happen over the weekend in Philadelphia, so you might check it out if you’re in town.
There’s a cool lit festival going on in San Francisco this weekend. I mentioned LitQuake earlier this week, but I wanted to bring it up again in case anyone missed it.
Submissions
Dead: Grendelsong
Comics. Girlamatic is open to submissions now through Nov 5th.
Thriller, Suspense, Romance, Mystery, Multicutural, Ethnic, Short Story Collections. Obrake Books is a small independent publisher of hardcover and trade-paper fiction and non-fiction books. They published 1 new writer last year and plans 3 debut novels this year. Averages 10 total titles/year; 7 fiction titles/year. They publish adventure, children's/juvenile (adventure, fantasy, historical, mystery), comics/graphic novels, erotica, ethnic/multicultural, feminist, gay, historical (general), horror (psychological, supernatural), lesbian, literary, mainstream, mystery/suspense, psychic/supernatural, regional, religious (mystery/suspense, thriller, romance), romance (contemporary, historical, romantic suspense), short story collections, thriller/espionage, young adult/teen (adventure, fantasy/science fiction, historical, horror, romance). Pays royalties of 8-15%, and an advance that averages $350.
Political, Experimental. Fringe Magazine: The Noun That Verbs Your World is a bimonthly online magazine/E-zine specializing in literature. "Fringe Magazine is dedicated to political and experimental literature, and was founded to fight the homogenization of culture and the loss of revolutionary writing at the high literary and popular levels." They want ethnic/multicultural (general), experimental, feminist, gay, humor/satire, lesbian, literary, mainstream and have a special interest in experimental literature, cross-genre work, hypertext and flash-based literature. They don’t want to see erotica or pornography, unless it has a higher literary purpose. "We enjoy stories that span cultures, but have recently received a lot of work in the genre of 'I went on vacation and got an exotic lover.' In general, we do not like work that is sentimental." Publishes 5 new writers/year. Published Sarah Sweeney, Amy Clark, Chris Siteman, Jasmin Saigal, TJ Dietderich, Kirstin Chen, and Chip Cheek. Stories should be 100 words-15000 words with an average of 3000. They also publishes literary essays, literary criticism, book reviews, poetry. Acquires first rights, electronic rights, archive rights.
Revolving Door
Scholastic: Lisa Holton has resigned as president, trade and book fairs at Scholastic in order to "launch a new media venture." In her place, Ellie Berger has been promoted to president of trade, and president of book fairs Alan Boyko will report directly to ceo Dick Robinson.
Nature Publishing Group: Managing director Annette Thomas was promoted to ceo of Macmillan, taking over following the departure of Richard Charkin. Mike Barnard, who returned to the company as interim executive, will remain deputy chairman.
Bertelsmann Direct North America: Beth Goehring has been named editor-in-chief of the company's three lifestyle book clubs. Christine Zika will take over from Goehring as the editor-in-chief of The Literary Guild. Denise McGann, who has presided over the lifestyle Clubs since 2003, has left for other opportunities. Market Info | Revolving Door
10/12/2007 1:57:24 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, October 11, 2007
Definitions of genres, and when to use them
Posted by Rachel
Variations on "What are the elements of (name your genre)?" keep appearing in my lovely system tracking how people get to this site, so I thought I'd cover it a little better.
We have all heard of the basic fiction genres—literary, mainstream, fantasy/sf, romance, mystery, horror, comics—but what do they mean?
I’ve pulled some of the main genres and subgenres from the glossary in NSSWM 2008 and included an example or two. Just remember that categories are fluid and overlap a lot, so a book that is most accurately described as a romantic urban fantasy thriller might just be considered a fantasy for ease of shelving. The lines between thriller, suspense and action novel are pretty subjective, so please don't leave me comments about how Patterson's book is actually a thriller.
Action/Adventure Story: A genre of fiction in which action is the key element, overshadowing characters, theme and setting. The conflict in an adventure story is often man against nature. [Night Without End by Allistair MacLean]
Cozy: Mystery usually set in a small British town, in a bygone era, featuring a somewhat genteel, intellectual protagonist. [Anything by Agatha Christe]
Experimental: Fiction that is innovative in subject matter and style; avant-garde, non-formulaic, usually literary material. [Pale Fire by Vladimir Nabokov]
Graphic Novel: A book (original or adapted) that takes the form of a long comic strip or heavily illustrated story of 40 pages or more, produced in paperback. Though called a novel, these can also be works of nonfiction. [Stardust by Neil Gaiman or Blankets by Craig Thompson]
Horror: Howard Phillips Lovecraft…”A certain atmosphere of breathless and unexplainable dread of outer, unkown forces must be present; there must be a hint, expressed with a seriousness and portenteousness becoming its subject, of that most terrible concept of the human brain—a malign and particular suspension or defeat of the fixed laws of Nature which are our only safeguards against the assault of chaos and the daemons of unplumbed space." [most of the works of Stephen King]
Literary: The general category of fiction which employs more sophisticated technique, driven as much or more by character evolution than action in the plot. [Any of the finalists for the National Book Prize]
Mainstream: Fiction which appeals to a more general reading audience, versus literary or genre fiction. Mainstream is more plot-driven than literary fiction and less formulaic than genre fiction. [An Arsonist’s Guide to Writers’ Homes in New England by Brock Clark or Water for Elephants: A Novel by Sara Gruen]
Mystery: A form of narration in which one or more elements remain unknown or unexplained until the end of the story. The modern mystery story contains elements of the serious novel: a convincing account of a character’s struggle with various physical and psychological obstacles in an effort to achieve his goal, good characterization and sound motivation. [The Da Vinci Code or Book of the Dead by Particia Cornwell]
Noir: A style of mystery involving hard-boiled detectives and bleak settings. [The Chicago Way by Michael Harvey, or The Dresden Files could actually be considered noir fantasy]
Romance: A type of category fiction in which the love relationship between a man and woman pervades the plot. The story is often told from the viewpoint of the heroine, who meets a man (the hero), falls in with him, encounters a conflict that hinders their relationship, then resolves the conflict. Romance is the overriding element in this kind of story: The couple’s relationship determines the plot and tone of the book. The theme of the novel is the woman’s sexual awakening. Although she may not be a virgin, she has never before been so emotionally aroused. Despite all this emotion, however, characters and plot must both be well developed and realistic. Throughout a romance novel, the reader senses the sexual and emotional attraction between the heroine and hero. Lovemaking scenes, though sometimes detailed, are not generally too graphic, because more emphasis is placed on the sensual element than on physical action. [Anything by Nora Roberts]
Science Fiction [vs fantasy]: It is generally accepted that, to be science fiction, a story must have elements of science in either the conflict or setting (usually both). Fantasy, on the other hand, rarely utilizes science, instead relying instead on magic, mythological and neomythological brings and devices and outright invention for conflict and setting. [Ender’s Game and its sequels by Orson Scott Card, anything by Isaac Asimov]
Speculative Fiction (SpecFic): The all-inclusive term for science fiction, fantasy and horror.
Suspense: A genre of fiction where the plot’s primary function is to build a feeling of anticipation and fear in the reader over its possible outcome. [Double Cross by James Patterson]
Thriller: A novel intended to arouse feelings of excitement or suspense. Works in this genre are highly sensational, usually focusing on illegal activities, international espionage, sex and violence. A thriller is often a detective story in which the forces of good are pitted against the forces of evil in a kill-or-be-killed situation. [Think John Grisham]
Urban Fantasy: Fantasy that takes magical characters such as elves, fairies, vampires or wizards and places them in modern-day settings, often in the inner city. [the Mercedes Thompson series by Patricia Briggs]
Western: Genre with a setting in the west, usually between 1860-1890, with a formula plot about cowboys or other aspects of frontier life. [Lonesome Dove: A Novel by Larry McMurtry]
Many authors worry about where they're going to put their books in the store and/or try to write a particular genre. Don't do that. Write your book, then figure out what it is. Even then, knowing the kind of book is mostly so you know who to send it to.
When you’re querying agents and editors, always use the simplest description. Try to stick with the main genres, unless you know they’re looking for a specific subgenre. Even then, you don’t need to say you have a romantic urban fantasy; just say it’s an urban fantasy. Don’t worry about classifying your book exactly; that’s one of the things sales and marketing take care of.
If you have questions you would like answered, just email me at nsswm AT fwpubs DOT com.
The NSSWM also has a glossasry (On pg 544 in the 2008 edition) that breaks down all of the sub-genres for you, in case you want to know the difference between steampunk and splatterpunk. Q&A
10/11/2007 2:41:50 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 10, 2007
Random bits
Posted by Rachel
I have a word doc in which I place anything I might want to blog about; questions people have asked (with the answers I'm working on), links or articles as the basis of discussion of a larger topic, market info for Friday's posting, or just things I find interesting, helpful or funny. I don't always to get to things in a timely manner, but I still want to mention them, so here are some miscellaneous items I've collected over the past week or so.
Here’s an online community with knowledge and ‘tude. MFA Bitch is a litblog writing collective for women with a literary degree.
A debut author talks about his experience in writing his novel and getting published.
The New Yorker Festival had a panel on comics that featured comics writer Grant Morrison; comics writer, illustrator, and creator of Hellboy, Mike Mignola; novelist and writer of Marvel's new “Omega the Unknown” series Jonathan Lethem; and creator of the popular television show “Heroes,” Tim Kring. The event was moderated by magazine editor and fiction author Ben Greenman. Galleycat has the basics, but head over to CBR to get the details.
If you're in San Fransisco Oct. 12th and have nothing to do around 7:30 pm, go check out the Literary Death Match sponsored by Opium magazine. Hmm...I wonder if I could get one of my sisters to go check it out for me. It's part of LitQuake, a San Francisco literary festival that runs now until Oct. 13th. Oh, and New Yorkers shouldn't feel left out. Opium is taking the Literary Death Match to New York on Oct. 23rd to launch its fifth issue.
Butcher’s Dresden Files are being made into graphic novels. Butcher is all over the geekiness on his blog. Here's to hoping the graphic novels are better received than the tv series (though I actually liked the tv show) and have a longer life.
10/10/2007 2:48:44 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 09, 2007
Actually, it's...
Posted by Rachel
It never ceases to amaze me that no matter how many people read through a book before publication, things always slip through the cracks. For example, the address listed in NSSWM 2008 for the Southwest Writers Contests is correct, but the one for their conference is wrong. Thanks to Southwest Writers for letting us know.
Just to be clear, the address for Southwest Writers (the contests and conference) is 3721 Morris NE Ste A, Albuquerque NM 87111.
Mistakes like that can be maddening, even though we do everything we can to prevent them. I'm sure you've had the experience of discovering "they're" instead of "their" or "an" instead of "and" while reading. One of my favorite typos is in my dad's old edition of Anne McCaffrey's Dragonrider's of Pern (which I borrowed almost 15 years ago and he is never getting back), where the name of the main protagonist is spelled incorrectly. I remember reading that as a teenager and scoffing at the ineptitude of the editor who let that slip by. I decided I would become an editor and one day work on Anne McCaffrey's books, and I would NEVER be so careless as to let a typo like that get through.
Ah, the conceit of youth. I didn't realize then how much editors have to do in a day. Most editors are actively working on 3-7 books at a time (that's not including the ones in the early stages or already sent out to production), plus working on other things, like finding new books. An editor does a lot more than look for typos.
Anyway, it's not purely the editor's fault; the books don't just go through them. A basic editorial process has the manuscript go from the author to the editor, back to the author for any changes, returned to the editor, then on to the copy-editor, then to the editor again. Next the manuscript it passed to the book designer (to get the manuscript formatted), then back to the editor, sent out for proofs, back to the editor, and then to the editor's supervisor for final approval before getting sent to the printer. Of course, some presses and books have more, or less, editorial review than others, but you get the picture.
This isn't for excuse mistakes, because they're not fine to have, but just to show that no matter how diligent we are things are missed. Hopefully it's a rare thing. Inside Peek
10/9/2007 3:28:00 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 05, 2007
Friday's Feast
Posted by Rachel
I got my copy of the latest Writer's Chronicle this week, so we're heavy on literary fiction. Good luck with finding something perfect for you, and getting in!
Contests
Amazon Breakthrough Novel Award. Penguin is teaming with Amazon for huge book contest with readers being judges (in addition to editors and reviewers). Submissions are now through Nov 5th, and the prize is publication.
Search for the Next Great Crime Writer Contest. Borders, Courttv and Gather.com have teamed up for a competition to find a mystery writer. Prize is publication. Submit a full-length ms now through Nov 11th.
Inkwell Short Fiction Contest. Sponsored by Inkwell Literary Magazine, this is an annual award for short stories. Prize is $1500. Pablo Medina is the final judge for 2007-2008. Entry fee is $15. Entry deadline is October 30th. Entries should be unpublished. Anyone may enter contest. Ms can be max 5000 words.
Meridian Editor’s Prize. The submission period is Oct 20th-Dec 20th. Short stories are eligible. The $15 entry fee includes a year’s subscription to Meridian. The prize is $1000 and publication in Meridian.
Tartts Fiction Award. Sponsored by Livingston Press. This one is for a short story collection (yes, the stories can be previously published if you include the magazine credits and have all the rights). They’re looking for something 160-275 pages, but style is completely open. The prize is $1000 and publication. There’s a $15 entry fee and the deadline is Dec 31st.
StoryQuarterly Fiction Contest. Open to short stories, short short stories, and novel excerpts. Entries must be previously unpublished, whether in print or online, and no longer than 8,000 words. Submit between now and November 30th. Entry fee is $20, and with that you’ll receive six months complimentary access to Narrative Backstage. First Prize is $2,500, Second Prize is $1,500, and Third Prize is $750. Plus ten finalists will receive $100 each.
Saroyan Prize. Open to novels and short story collections published between 1 January 2005 and 31 December 2007, available for individual purchase by the general public, and primarily in English. They must follow Saroyan’s literary style, which the Web site describes as “characterized by originality, stylistic innovation and what is often described as an ‘exuberant humanism’. It is this exuberance and desire to move art in new directions, rather than relevance to the particulars of Saroyan’s common settings or themes, that Saroyan Prize judges will be seeking.” The prize is $12,500, and there is a correspondingly large entry fee of $50. The submission deadline is Jan 31st.
Flume Press Fiction Chapbook Contest. Submissions should be 10000-12000 words. The deadline is Dec. 1. The winner will receive $500 and 25 copies of the chapbook. Print run is 500 copies. Flume Press advertises its chapbooks in national literary magazines. Every submission with a SASE gets their ms with comments returned to them. Entry fee is $20, and every person who submits will receive a copy of the winning chapbook. They want literary fiction, no genre works, and prefer collections with a bit of variety.
Conferences
San Francisco Writers Conference. This is an annual conference that will happen Feb 15-17, 2008. Average attendance is 450-500 people. The conference "focus is on WRITING and PUBLISHING. Attendees learn from bestselling authors, literary agents, and editors. The emphasis is on producing the best possible work and finding the most effective way to get it published from traditional (major publishers to specialty houses are always at the event) to self-publishing (iUniverse is a sponsor) and cutting edge venues (including websites/blogging)." The event is held at the Mark Hopkins Hotel in San Francisco. Presenters for 2008 included Sheldon Siegel (The Confession), April Sinclair (Coffee Will Make You Black), Daisy Maryles (Publishers Weekly), dozens of literary agents and editors from top publishing houses including St. Martin’s, Simon & Schuster, Random House, John Wiley & Sons, and New World Library. (Nearly 100 presenters). The fee is $595 (early sign-up discounts available). No application needed, but they do sponsor a contest judged by literary agents.
Submissions
Fantasy. Fantasy Magazine is moving from a quarterly print magazine to a weekly online magazine. They will do occasional anthologies and the pay will increase to $.03/word.
Dark Spec Fic. Shadowed Realms is closed to submissions. Angela Challis let me know they’re closing after two more issues and they already have the content lined up for the remaining issues.
Literary. Submissions are open for Bellingham Review now until Feb 1.
Literary. Submissions are open for Broken Bridge Review through Nov 30. They want “image-rich, rhetorically engaging work by the finest emerging writers.”
Literary. Cold-Drill is looking for fiction, poetry and creative nonfiction “from the traditional to the experimental.” Submissions are open through Jan 5.
Literary. Untamed Ink, the new journal from Lindenwood University, is looking for stories for its premier issue. Publication date is Spring '08. Submission deadline is Dec 31st.
Literary. Another inaugural issue seeking submissions is The Human Tentacle. I think some journal names would work really well as the name of a rock band.
Literary. Natural Bridge no. 20: The Literature of Place, local or exotic, will comprise part of an upcoming issue of Natural Bridge, a journal of contemporary literature, along with work on any topic. Submit poems, stories, personal essays and translations November 1-December 31, 2007, with SASE.
Fabulist and New Wave Fabulist Fiction. Omidawn is looking for Fabulist and New Wave Fabulist Fiction submissions for their anthology Paraspheres 2. They want previously unpublished work of up to 20,000 words. “Omnidawn has a particular interest in works emphasizing one or more of the following elements: 1. An exploration of the probable negative consequences of the choices currently being made by the leading politicians, scientists, and business managers, particularly in their attempt to dominate or control the world. 2. A focus on the beauty and sanctity of the living world around us from a magical non-materialist perspective. 3. Alternative methods for structuring the representation of time and/or reality. 4. An emphasis of character development over milieu, plot, event, or idea. 5. Surprises. We want the above preferences to flavor rather than dominate the anthology, so if you have something you think might interest us, but it doesn't seem to fit the above categories, please send it." They’ll be actively reading through March 31, 2008.
Food Anthology. Cityworks press is looking for short stories about food. “Send us work that pushes the boundaries: consider food as metaphor, memory, culture, ritual, and sustainer. Recipes, yes. Explore thirst. Drinking. Thirsting. Investigate hunger, politics, power, poverty, and addiction.” Fiction and creative nonfiction, 3000 word max. Poems, 3 max. Art and photography, 3 each, max. Go here for more info.
Anthology. Spinsters Ink is seeking well-crafted poetry, fiction, non-fiction, and essays celebrating, cursing, and exploring menstruation. “We want to hear stories from women all over the world. One of the first of its kind, Women. Period: An Anthology of Women Writing for and About Menstruation will celebrate and represent one of the most life changing events in a woman’s life.” (no longer than 2500 words).
Anthology. Tales from the Couch will be published in 2009. They’re looking for stories from the mental healthcare worker's point of view (psychiatrists, psychologists, counselors, and social workers). Your story can be set anywhere mental and emotional care is given. Deadline for stories is August 1, 2008. Get more info here.
Market Info
10/5/2007 2:23:23 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, October 04, 2007
Changing places...
Posted by Rachel
Another week with a lot of swapping around. These are only the editorial changes (oh, and a few agents).
Viking Penguin and Plume: Ali Bothwell Mancini will be leaving her editorial position to pursue freelance editing as of October 12. She can be reached at ali.bothwell@gmail.com.
Harlequin: Promotions all around. Brenda Chin is now senior editor for Harlequin Blaze; Kathleen Scheibling is senior editor for Harlequin American; Wanda Ottewell senior editor for Harlequin Superromance; Patience Smith is senior editor for Silhouette Romantic Suspense; Mavis Allen is senior editor for Kimani Press's Kimani Romance.
Foundry Literary + Media: Stephanie Abou, Chris Park (who was a senior editor at the Center Street and Warner Faith) and Kristina Schulz (who specializes in children's publishing) have joined the company as agents.
Knopf: Carole Baron will expand her part-time, non-exclusive role acquiring for Knopf into "a more in-depth role by making editorial acquisitions exclusively" for the house.
Grove/Atlantic: Retired agent Virginia Barber will join them as an editor-at-large.
Revolving Door
10/4/2007 2:43:32 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 03, 2007
The right way to get noticed in the publishing world
Posted by Rachel
One of the main focuses of many conferences and writer's groups is figuring out how in the world you are going to get noticed by agents and editors. What can you do on top of writing well that will set you apart from the pack? Stalking and bribes probably aren't the best way to go. We counsel writers to make connections with editors and agents at conferences and other events, and to make sure not to be a pushy bore.
An interview on Newsarama gives a great example of the good way to get editors to remember you. Air Force Major Matt Yocum heard about a fundraising auction at a conference with the prize being a lunch with Marvel comics editor-in-chief Joe Quesada. Yocum decided to win that prize, and when he did, he had a great discussion with Quesada about some of his ideas. Yocum followed up with Quesada at a convention and Quesada introduced him to other editors, and now Yocum is one of the writers for Marvel’s Giant-Size Avengers Special #1.
The basic pattern is being prepared, recognizing an opportunity, acting on it, not going into overkill, following through, and getting published. Most writers tend to have one weak spot. Identify and fix that weak spot (say, you forget to send in a ms even when the editor asks for it) and the chances of getting published rise exponentially.
10/3/2007 3:54:50 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 02, 2007
When do you self-publish?
Posted by Rachel
The LA Times has a self-publishing success story. Self-publishing worked for Colleen Dunn Bates because her book was so intensely localized. A local’s guide to Pasadena is not something a big publisher would be interested in. So she published it herself and has had so much success that she is creating guides for similar cities.
Many writers know Christopher Paolini was discovered by self-publishing Eragon, and they hope to be the next one to be discovered that way. Unfortunately, the chances of that happening are incredibly slim. Self-publishing is good and useful in some instances, but fiction is rarely successful. How do you know whether you should go with self-publishing for your book? Some things to consider:
Your goal for the book
What do you what to do with this book? Do you just want to get it out there, entertain, inspire, teach or serve a different purpose? What your goals are should influence where you submit your manuscript, and whether you decide to do it yourself. If you want to reach a large market, self-publishing is the hard way to do it. If you want to reach a select group of people, and you know how to access them, then self-publishing might work for you.
The potential market
Who is your potential market, and how big is it? If you have a small market, like Bates did, larger publishers aren’t likely to pick up your book. Truthfully, this happens a lot more with non fiction books than it does with fiction. However, even with fiction you need to know your audience. Is your book for a specific demographic? Do you even know who would like to read your book and how to access them? One of the great things about going through a publisher is they have peope who know the market, and they have a good chance of getting your story to the people who would like to read it.
Promotional work
While you are asked to do promotional work no matter who you sign with, when you self-publish that’s even more true. Do you have connections to get your book out there? Are you assertive/confident enough to call or visit bookstores and others venues and ask them to sell your book? If you can’t do more than create and maintain a webpage to promote your book, you might want to reconsider the idea of self-publishing, unless you don't mind not making very much money.
The cost
Self-publication, especially if you want a high quality product, can become expensive, and there’s no guarantee you’ll make all or any of your money back. Do you have the financial resources to publish and promote your book, even if you never make back half of what you put out? If not, don’t do it. Try some smaller presses and/or save money.
Developing the book design
While companies like iUniverse offer covers and help with design, you still have to make the decisions. Book design, interior and cover, play a significant role in a book’s success. Can you, or someone you know, make good design decisions and ensure a quality product? It’s better to wait to publish than to publish a sub-standard book. While design can be fun, it's a lot of work to get it done right.
Actual publishing options
Have you researched various publishing companies to make sure that no one wants something like what you wrote? There are a lot of specialty publishers, and one of them might be the perfect match. Don’t just assume that since Penguin, Harlequin or HarperCollins wont publish you, you can’t get published at all. Look at the smaller presses before you give up on established presses entirely. There just might be someone looking for the children's story about an Arabic child growing up in Japan sitting on your desk.
No matter what you decide, be careful and research any press you're considering before publishing your book. Q&A
10/2/2007 3:23:41 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, October 01, 2007
Monday, Monday
Posted by Rachel
As today has been a typical Monday, this is going to be a bits and pieces post.
Items related to previous posts:
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Tor has the podcast of an interview with Robert Jordan from 2 years ago as a tribute to the prolific writer. I mentioned his death, and hopes that someone would finish the Wheel of Time series for him, here.
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Remember when I talked about the podcast installment story with 15 authors? International Thriller Writers has an interview with a few of the authors in their latest newsletter. It's a good read for anyone thinking of working with a partner.
Items of interest:
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Here’s a new twist on getting kids into classics: graphic novel adaptations. The latest? Great Expectations. I remember reading Great Expectations as part of the Great Illustrated Classics series my parents bought. We also had Robin Hood, David Copperfield and a few others. I must say, the illustrated versions worked for me. I read many of the classics that way. Except for Shakespeare. I read his works out of a compilation my parents had. The Tempest is really confusing when you’re 10 years old.
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The USA is barely jumping on the phone-comic band wagon, while the Japanese read installment mini novels on their cell phones. These mini-novels seem to be like the serial novels that used to be in newspapers and journals. I wonder when/how they’ll catch on over here?
10/1/2007 3:37:08 PM (Eastern Daylight Time, UTC-04:00)
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Great catch!
Posted by Lauren
An eagle-eyed NSSWM 08 reader contacted me this morning with a great catch: the listing for Confrontation magazine (p. 241) contains an omission. The listing says the magazine only accepts e-mail submissions, yet we forgot to include the address. (Must not have had enough coffee that morning ...) So here it is (Sorry for the confusion, everyone!): confrontation@liu.ed Market Info
10/1/2007 9:38:02 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, September 28, 2007
Friday's Feast
Posted by Rachel
Go figure, I have some long items today. You would not believe how much information I did cut out to give you just the highlights. Let me know if I'm consistently leaving out things you want to know.
Market News
Baen and Subterranean have teamed up to create electronic editions of certain Subterranean titles that will then be sold on Baen's Webscription site. The Webscription model makes it easier to copy files by releasing ebooks without any digital rights management (DRM) software. We don't know yet which books from the backlist will go up, or in what order.
Industry News
For anyone who missed it, the NY Times has decided to expand its bestseller lists and break the fiction list in two. Reactions to the increased length of bestseller lists can be found here.
Contests
The Grub Street Book Prize in Fiction. This is an annual prize whose purpose is “to support writers who are publishing beyond their first or second, third, fourth (or beyond…) book, and who are living outside of New England." Books can be short story collections or novels. Winner receives a $1,000 honorarium and a Friday night reading/book party at Grub Street’s event space in downtown Boston. Saturday morning, winners lead a two-hour “craft class” on a topic of their choice for a small group of aspiring Grub Street writers. Grub Street provides accommodations for one night in Boston and covers all travel and meal expenses. Entries are judged by a guest judge and committee of readers drawn from the Grub Street staff. Entry fee is $10 and the deadline is October 15th. Entries should have been published in the last year or so. Self-published books do not qualify. All applicants must have at least one previously published novel or short story collection, and must not primarily reside in the following states: MA, VT, ME, CT, NH or RIs. "Though Grub Street’s top criterion is the overall literary merit of the work submitted, the award committee especially encourages writers publishing with small presses, writers of short story collections, and writers of color to apply. We also want the award to benefit writers for whom a trip to Boston will likely expand their readership in a meaningful way. Please give careful thought to your proposal for the craft class, and please plan it as a 3-hour class for a group of 15 adult writers of mixed experience."
Danahy Fiction Prize. Annual competition/award for short stories. Prize is $1,000 and publication in Tampa Review. All entries are considered for publication in Tampa Review, and all entrants receive a complimentary one-year subscription to Tampa Review. Entries are judged by the editors of Tampa Review. Entry fee is $15. Entries must be postmarked no later than Nov. 1st. Entries should be unpublished. Anyone may enter contest. Submissions between 500 and 5,000 words preferred; mss. slightly outside this range will also be considered. Cover letter should include name, address, phone, e-mail, word count, story title. All this information should also be on first page of ms. Writers may submit own work. Results announced March. Results made available to entrants with SASE.
Submissions
Dead. I got an email this week from Paul Fahey, editor of Mindprints, A Literary Journal. After 7 years and two top 30 awards from Writer's Digest they are closing their doors due to financial and other issues. I’m sorry to see them go.
Circle Magazine is also defunct.
Literary. Upstreet. "A literary annual containing the best new fiction, poetry, and creative nonfiction available. First three issues feature interviews with Jim Shepard, Lydia Davis, and Wally Lamb. Independently owned and published, nationally distributed. Founded by Vivian Dorsel, who selected the members of the editorial staff for their love of the written word, their high standards of literary judgment, and their desire to offer a voice to prose writers and poets who might not find publication opportunities in more mainstream journals." They need ethnic/multicultural, experimental, humor/satire, literary, and mainstream fiction. They don’t want juvenile/YA, religious, or "any genre fiction that is not 'literary' (i.e., imaginative, sophisticated, innovative)." Does not read March-June. 5000 words (max). Publishes short shorts. Also publishes literary essays, poetry. Rarely comments on/critiques rejected mss. Writers receive 1 contributor's copy. Acquires first North American serial rights.
Literary. Oxford Magazine, now in its 22nd year, is accepting fiction, poetry, and new media work for its '08 issue. “We like short works of fiction so suggest sending less than 3,000 words. As for poems, please send no more than 10. We're also open to many forms of new-media work, which can be discussed with the media editors.”
Horror. If your work is creepy or weird, it might find a home in The Willows. "Founded to give voice to a unique but neglected corner of horror literature, The Willows strives to publish only the best in true classic-style weird fiction. We pride ourselves on our gentlemanly aesthetic, and our love of mad science, strange monstrosities, and sodomic wonder. Our readers share our passion for this bygone age, and the scientific romances of its greatest literary minds." It’s a bimonthly that started earlier this year. They need horror (dark fantasy, supernatural) and classic-style weird fiction. They don’t want gory horror, slashers, splatterpunk, or "anything not fitting to be told over bandy in a gentleman's lounge in 1920s London." Length should be 1000 words (min)-5500 words (max). Average length is 3500 words. Publishes short shorts which average 500 words. Also publishes literary essays, literary criticism, poetry. Often comments on/critiques rejected mss. Accepts submissions by e-mail. Writers receive $25. Acquires first North American serial rights.
"We love work set in Victorian times, in the European countryside, in a twisted fairyland, in the underbelly of an enchanted city, or in the ruins of an undiscovered civilization. We want tales of cosmic fright; eerie fireside memories of nature's deadly mystery; adventures among the aether, the hemera, the spirit realm; tragedies of mad academics who take science too far; warnings of monstrosities that lurk in the sea, in the air, beneath the ground; st | |